slime and b review
1. “Go Crazy” is the album’s best song, cleverly sampling The Showboys’ iconic “Drag Rap” to complement the free-ranging sonics. 1' Is A Collection Of Sure-Shot R&B Gems, Review: Sonny Digital & Black Boe Are Mostly Empty On 'Black Goat 2', Review: Ty Farris Gives Fans A Worthy Follow-Up With 'No CoSign Just Cocaine 3', Review: Jerreau Hits An Artistic Stride On 'KEEP EVERYTHING YOUR SELF'. Now, Slime & B continues Thug’s thunderous run, and is a true return to form for Chris. Enjoy!Follow meh on all my socialz! To work with Brown, Thug must sacrifice a ton of what makes him special and engaging. They try anyway on “Undrunk,” but stumble badly. Meanwhile, Chris Brown has struggled to clear the high bar he set for himself when he first entered the game. It’s a seemingly effortless body of work from two talented veterans, and a reminder of what CB can accomplish when he keeps the tracklist under 20 songs. The King of YouTube continues to dominate the charts with murderous raps and unfiltered streams of consciousness. Ethereal production on “I Ain’t Tryin’” transports the album to the sandy beaches of Turks and Caicos. The two artists arrived at this point via dramatically different paths. It’s. He brings more melody on “Big Slimes,” but retains the rapid-fire delivery that breathes life into the song. On Slime & B though, they pair with each other beautifully, creating their best collaborative tape to date. Pitchfork is the most trusted voice in music. When Thug is locked in, as on the Swae Lee duet “Offshore,” he sounds like he could make all the chairs swivel on The Voice or pull a T-Pain at the Tiny Desk moment. There’s nothing on Slime & B that the two haven’t done already, but it’s more than enough to get the job done for many summers to come. It’s called Slime & B.There are guest spots from Gunna, E-40, Future, and others. Cleveland Browns defensive lineman Major Nine brings a Southern Flair to “Trap Back,” complete with hammering drums and an earworm of a hook. They were two of rap’s preeminent talents in their primes, independent but together. Granted, he does so on his knees trying to win a woman back, but still, it is a severe U-turn. They try anyway on “Undrunk,” but stumble badly. His albums became somewhat of a punchline, with indigestible tracklists made even more grueling by their unwarranted deluxe editions. Something’s Wrong. On Rich Gang Tha Tour, Part 1, he and Rich Homie Quan formed an unlikely yin-yang duo that seemed linked even when unyoked, and even though he often lacks chemistry with frenemy Future, their collaborative tape, Super Slimey, was still like watching two sluggers at a home run derby bat flipping every time they go yard. On Tuesday morning (April 28), Brown announced the news via Instagram in a since-deleted post with an uploaded picture that read Slime and B. He is an incompatible, and in some cases unwelcome, partner for rap’s mischievous trickster god—indeed, someone’s already made a version where he is entirely cut out of the tape. Each supplied its fair share of hits, but paled next to solo projects that deservedly saw more acclaim. His machine-gun flow on “She Bumped Her Head” glides over the pocket with precision, hardly letting up for even a single breath. MY PATREON:https://www.patreon.com/MeamiYour Boy Is Sponsored By EwinRacing Chairs!http://bit.ly/2W9oA7G and code \"Meami\" for 20% off!Intro: Check out the homies for all the dope game samplesjtbs-https://www.youtube.com/channel/UCVpI...Raisi K- https://www.youtube.com/user/RaisiM1222One of the greatest crossovers we didn't know we needed. Roping Thug into Chris Brown’s world of frictionless songcraft limits the possibilities for what the rapper can do; he’s rarely seemed as bored as he does on “Trap Back.” Thug says he recorded his verses in a single day; honestly, it sounds like it. When it comes to the newer independent wave of Hip Hop, the answer to the album's rhetorical question is, in fact, Gunn himself. Chris Brown and Young Thug are no strangers to the joint project. “I Got Time” supplies more of a bounce, with Breezy’s light-hearted melodies adding airy tones to the mix. Chris Brown and Young Thug are no strangers to the joint project. The project seemingly came out of nowhere; Thug recently tweeted he recorded all of his verses in a single day. I must say i'm most impressed by the two Gunna features and wouldn't be surprised if we saw a trio in the making. 4.40 Review: Young Thug & Chris Brown's 'Slime & B' Blesses Ladies With A Golden Summer Soundtrack 4.30 Review: Conway The Machine's 'From King To A … The project seemingly came out of nowhere; Thug recently tweeted he recorded all of his verses in a single day. It’s a seemingly effortless body of work from two talented veterans, and, a reminder of what CB can accomplish when he keeps the tracklist under 20 songs. For the overwhelming majority of the tape, however, Thugger and Chris can do no wrong. Here, he pulled all the vocal tricks and weirdly satisfying ideas that have endeared him to fans for years, proving once again how indispensable he was despite the army of clones that have arrived since his debut. Young Thug teaming with Chris Brown doesn’t have the same upside. Thug and Brown find common ground in the cut-the-line VIP lifestyles they lead, how that celebrity gets them laid (often), and the nature of their stroke games (always great, apparently). Of the many strange pop-culture artifacts to emerge from quarantine, a collaboration between Young Thug and Chris Brown probably falls higher on … Thug is no stranger to this kind of project. (He was spotted shooting hoops with Brown the day before they announced the tape.) Why go from So Much Fun to so little? that the two haven’t done already, but it’s more than enough to get the job done for many summers to come. Thug’s unexpected melodies on “Say You Love Me” start the tape with a bang, creating a beautifully peculiar combination with the bouncing 808s. Young Thug and Chris Brown have released a new collaborative mixtape. The beat contains a few redeeming qualities (read: enough bass to go off in the club), but G-Eazy level lyricism and the atrocious “she’s a hickory-dickory-thot” bar drag it down to the point of no return. Brown is a deposed R&B king-turned-heel whose continued hitmaking is offset by his inability to grow or show restraint, in his music or in his life. Make sure you typed in your email correctly. But his performances here are just flat and spiritless, paling in comparison to the no-holds-barred crooning of his “singing album” Beautiful Thugger Girls. The two of them don’t share any meaningful connection, and they mostly come across as self-indulgent. Review: 'RTJ4' Marks Killer Mike & El-P's Most Powerful Statement Yet, Review: Freddie Gibbs & The Alchemist’s ‘Alfredo’ Is A Premium Hip Hop Offering, Review: Young Thug & Chris Brown's 'Slime & B' Blesses Ladies With A Golden Summer Soundtrack, Review: Conway The Machine's 'From King To A GOD' Marks A Glow-Up For The Griselda Rapper, Review: Polo G Inches Towards His Claims With 'THE GOAT' Album, Review: KXNG Crooked & Joell Ortiz Reunite For Bi-Coastal Bar Slaughter On 'H.A.R.D.' Each supplied its fair share of hits, but paled next to solo projects that deservedly saw more acclaim. He is so prolific and explosive that it’s easy to imagine a lot of his best rapping happening like this, but his verses and hooks here are aimless in an idle sort of way. Insta: https://www.instagram.com/meami_ami/Twitter: https://twitter.com/Meami_Ami2nd Twitter: https://twitter.com/MeamdaPandaTwitch: http://www.twitch.tv/Meami_ami/profileSnapchat: Meami_amiFacebook : Meami0:00 Intro2:06 Say You Love Me5:31 Go Crazy7:55 Trap Back10:10 I Got Time13:42 She Bumped Her Head16:53 Big Slimes20:04 I Ain't Tryin'22:44 Animal27:02 City Girls28:50 Stolen32:41 Undrunk35:40 No Such Thing Of course, he scored one of the biggest singles of 2019 with Drake on “No Guidance,” but far too many songs came and went without the impact he made several years ago. Young Thug, missing the point entirely, plays the song differently, fully coveting the way of life that Brown is questioning. Even if the point of this project is simply to kill time, listening shouldn’t feel like a waste of time. Review: 21 Savage & Metro Boomin's Villainy Music Comes Bigger & Better With 'Savage Mode II', Review: Westside Gunn's Shady Records Debut 'Who Made the Sunshine' Has Inklings Of A Creative Genius, Review: YoungBoy Never Broke Again's ‘Top' Is His Most True-To-Self Album Yet. The two artists arrived at this point via dramatically different paths. And after half an album of womanizing, Chris Brown comes up for air just long enough to disavow the entire thing: “Poppin’ bottles in the club/Fuckin’ models, doin’ drugs/And I can’t do this anymore/I feel like an animal,” he cries. But there aren’t many songs that really sell the Playboy Mansion debauchery they’re aspiring to. There aren’t many bangers on Slime & B, but during an era without clubs and parties, that’s probably for the best. Young Thug, for his part, sounds jaded and disengaged. Find album reviews, stream songs, credits and award information for Slime & B - Chris Brown, Young Thug on AllMusic - 2020 a fun-filled amusement park from start to finish, bursting with color from both the acclaimed vocalists and the production beneath them. Nor does his proximity to Brown push him to deliver on his singing. The beat contains a few redeeming qualities (read: enough bass to go off in the club), but G-Eazy level lyricism and the atrocious “she’s a hickory-dickory-thot” bar drag it down to the point of no return. Thug is at the height of his success and near the peak of his powers. Brown, while still commercially viable, has been slumping creatively. That’s it below. These are “nothing else to do” bars without real inspiration. Gunna pops his head into the party two times, and steals the spotlight on both occasions. , but during an era without clubs and parties, that’s probably for the best. EP, Review: Wale Shreds Police Brutality & Racism With Forceful Bars On ‘The Imperfect Storm’, Review: Pop Smoke's No. Rap’s trickster god and R&B’s least tolerable person collaborate on a mixtape with no discernible upside. The title implies a meeting of the minds and a marrying of their styles, yet this is a clear mismatch. Chris’ singing reigns supreme on most of the tape, while Thug’s flow rolls along like a sports car cruising down PCH. 1 Album Proves He Was A Star Outside Of 50 Cent & Quavo's Help, Review: 'King's Disease' Is Food For True Nas Fans' Soul, Review: Griselda's "WWCD" Is Harder Than Concrete Wrapped In Iron — Minus The Eminem Feature, Review: Summer Walker Delivers Beautiful Authenticity With Her Sultry Debut "Over It", Review: Nicole Bus' "KAIROS" Dazzles With Her Vocals & Bangin' Instrumentals, Review: “HARRIETT” Finds Damani Nkosi & Ill Camille Finding Freedom Through Funky Sermons, Review: Stove God Cook$ Delivers Masterful Lyrics Over Roc Marciano Beats On ’Reasonable Drought’, Review: DJ Premier Raises Gang Starr's Stock With 'One Of The Best Yet', Jackboy Shows Promise But Lacks Restraint On Self-Titled Debut Album, Review: PARTYNEXTDOOR Offers Decompression Vibes On 'PARTYMOBILE' Album, Review: Lil Baby Proves His Hit-Making Skills Are Legit On 'My Turn' Deluxe Album, Review: Kehlani's 'It Was Good Until It Wasn't' Proves Her Worth But Never Dazzles, Review: Mozzy Scores Another Hard-Edged Victory On 'Beyond Bulletproof', Review: 'IDK & Friends 2 (Basketball County Soundtrack)' Delivers Fun Shootaround Bops Galore, Review: Radamiz Bleeds Honesty On Payday Debut "Nothing Changes If Nothing Changes", Review: Kembe X Successfully Grapples With His Demons On 'I Was Depressed Until I Made This', Review: Max B’s 'House Money' Is Good As Jailhouse Album Can Get, Review: Wifisfuneral Sounds Bored On Middling 'Ev3rything Sucks' EP, Review: Tiffany Red’s 'Call Me Red, Vol.
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