Things We Fancy

little white duck: a childhood in china

The book is in a dull green. I really liked this graphic novel and I have a feeling by looking at the cover of it, many children will not be picking it up. Loved the style of the drawings! To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Really hated it. I found the way killing either by accident or on purpose, and torture of birds, animals and insects in the story really disturbing when shown surrounded by smiling children. GROSS!'). Da Qin--Big Piano--and her younger sister, Xiao Qin--Little Piano--live in the city of Wuhan with their parents. La Liu remembers moments that made an impact on her life. This book has eight vignettes of some major events between 1976 to 1980 in China, covering different topics in one small book, politics, economy, gender discrimination, culture, identity, from the perspective of a 12 year old girl called XiaoQin (little piano). The 3-year-old finds this difficult to process and understand, although she is soon caught up in the somber mood of the event. The top literary prize for kids, the Newbery, has never been handed to a comic work, nor does the American Library Association have a prize for comics of any sort. An exceptional graphic memoir about growing up in China in the 1970s. I like the perspective shared by the author who now lives in the United States and looks back on her childhood. I think what I'd like to see is several parallel books - growing up if your parents were sent to be re-educated. This is a beautiful introduction to a China that few of us will ever understand. By linking her stories to a teaching by Confucius that says one learns in three ways--by studying history, by imitating others, and through one's own experience--Liu shows how her parents survived the famine during China's Great Leap Forward, how the death of soldier Lei Feng influenced the behavior of Liu and her sister, and how a trip to the countryside to visit her relations helped Liu realize just how privileged her life in the city was. Liu is a calm storyteller whose words are enlivened by Martinez's enthusiastic and energetic art, and their respective tones complement each other fluidly. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Graphic Universe ™; Illustrated edition (August 1, 2012), Reviewed in the United States on October 16, 2020. Liu grew up in Hubei Province of China and helps me learn of a world I knew little about, from a child’s perspective. Poignant story. Every middle school and high school student should read it! I was very disappointed.I had hoped that, as a ‘children’s book’ that it might be worth allowing my son or students to read but it most certainly is NOT suitable for children in any way. This was super-neat. These darker corners give Liu's reminiscence its power: strict Chinese one-child laws, the graphic misfortune of animals in China, the poverty and surliness of Liu's rural relatives. When their country's leader, Chairman Mao, dies, new opportunities begin to emerge. Top subscription boxes – right to your door, Visit Amazon's Andrés Vera Martínez Page, The Arab of the Future: A Childhood in the Middle East, 1978-1984: A Graphic Memoir (The Arab of the…, Children's Historical Biographies (Books), © 1996-2020,, Inc. or its affiliates. Very powerful. Yet while the landscape is different, the children's escapades are the same as those of kids today. I am always fascinated by memoirs and fictional/autobiographical accounts of people's lives in China during the Cultural Revolution. In the section titled 'The Four Pests,' she explains about the four pests that plague China―the rat, the fly, the mosquito and the cockroach (with an additional explanation of how the sparrow once made this list, and why it is no longer on it)―and her stomach-turning school assignment to catch rats and deliver the severed tails to her teacher. ), motivated by the fact that the experiences she had and the era in which she grew up is almost non-existent. It also analyses reviews to verify trustworthiness. It was structured as little vignettes about different events, like visiting her father's family in a very poor rural area and Chinese New Year (her favorite holiday). The author and illustrator did do what they set out to do - a snapshot of life for two girls growing up around the time of chairman Mao's death. Her parents benefited from communism as the were born on the right side of the wrong side of the tracks. I know too many adult Chinese - perhaps of a generation older than her who suffered terribly under Mao. What interested me about this memoir of the author's childhood in Maoist China is the idea that it was written to remember a way of life that is now mostly gone. Author and illustrator together give us an unvarnished and intimate account of a real childhood: plain-speaking, rough-hewn, and very much down-to-earth. We learn of life in rural China after the death of Chairman Mao, whom her family revered; we learn about The Four Pests and the misguided and tragic killing of one of them, millions of sparrows, which brought on The Great Famine.

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